Farah Hazim & Wissam Sader | M4T | Mika Shkurat #432
- Doors: 19:30
- Start time: 20:00
- Entrance: 6-10 € (up to your offer)
Farah Hazim & Wissam Sader in.between is an electro-acoustic collaboration project based on improvisation
M4T Liveset Audio (laptop, midi controller)
Mika Shkurat Improvised live visuals employing a modular system, short fragments, multiple feedback loops created with a monitor and multiple video-cameras.
Farah Hazim is an interdisciplinary artist, improviser and self-taught researcher with a keen focus on sonic phenomena. Interested in investigating experimental forms of music and sound art, her work engages concept of geo-temporalities, hauntology, narratology and different modes of experiencing sound.
exploring alternative inquiries into hearing, listening and experiencing.
Wissam Sader is a self-taught multidisciplinary artist and improviser focused mainly on form of expressions specifically sound but also uses different mediums such as performance, video and installation. his main work seeks symbiotic bridge between humans and nature through sonic compositions.
in.between is an electro-acoustic collaboration project based on improvisation.
everything begins with a couple of acoustic sounds ;
once sample the improvisation begins with live transformation and sequencing ;
with an open and audible process the collected sounds take shape and carry the listener into a particular soundscape.
M4T is an electronic producer and sound artist, based in Italy. His music embraces different genres, ranging from ambient to IDM and techno, mantaining as a common denominator the minimal structure and the accurate research about the atmospheres and the textures, often created by field recordings from natural environments. During the last years he focused his work on the study of visual programming softwares, like Max/MSP and Pure Data, with the aim of creating his personal and unique language. M4T realized lots of releases for netlabels of the ambient and IDM scene, and collaborated with many visual artists on advertisings, A/V performances and site specific installations.
The "Urban landscapes" of M4T are glimpses, snapshots of a city lived interiorly, subtracted to the frenzy of life. A sequence of “places” that hide expectations, fears, personal emotional journeys. During this narration geometrical shapes, industrial and alienating sceneries, alternate with more peaceful atmospheres, almost oneiric, that remind more human urban contexts, made of relations and sense of community. The music is a mix of electronics, field recordings and metal instruments, recorded by contact microphones.